Modernity is a bummer, and humanity’s drive towards its own destruction is at a fever pitch. Oozing Wound finds humor in our ridiculous habits and, by magnifying our most destructive behavior to its extreme end, allows us to laugh at the idiocy and the horror of it all. This mindset is at the center of their second full-length Earth Suck, a collection of destructive thrash that is seemingly teetering at the edge of control and collapse. Zack Weil’s guitar is reckless, his palm-muted chugs coming at breakneck speed and pinch harmonics squealing like sonic bolts of electricity. Kyle Reynolds’ drumming is unrelenting, wild and unrestrained but executed with a level of jaw dropping precision. Kevin Cribbin’s manic, mammoth bass delivers wallop after wallop of fuzzed out low-end. Oozing Wound’s energetic and expansive variation on thrash thrives on antagonistic repetition and addictive riffage, avoiding pretense like a plague. Earth Suck is the explosive follow-up to their breakout debut Retrash, which earned the band praise from the New York Times, Pitchfork, Decibel, and more.
Oozing Wound revels in the absurdity of horrifying realities, playing up fear and desperation to reveal the underlying humor. On Earth Suck they offer increasingly extreme portraits of moral and societal decay seen through the eyes of those doing the perpetrating. On “Genuine Creeper” Weil embodies a fetus eating its twin: “Kill your neighbor or kill yourself – I creep tonight.” On “Hippie Speedball” he becomes an addict who can’t go to work without getting high: “I can’t wake up without my hippie speedball.”
Their taboo defying humor is prevalent throughout the scene that birthed them. Over their few years in existence they have played with Black Pus, Rectal Hygenics, Climax Denial, Male Bondage, Shaved Women, Supersonic Piss, Sea of Shit, Forced Into Femininity, and more, along with other notable bands like High On Fire, The Body, Ash Borer, Wolf Eyes, andNazoranai. Despite their dedication to the DIY scene that birthed them, Oozing Wound has already gained the attention of Adult Swim, who selected them as part of their exclusive Singles series, which also features Sleep, Mastodon, Deafheaven, and Diarrhea Planet.
From Leeds and Oxford originally, Al Wilson and Paul Antony formed GHOLD in 2012 in Brixton, London. The, then duo, wrote and rehearsed and wrote a total of three full records (Judas Goat, Galactic Hiss, Of Ruin) in a disused bathroom/toilet in their shared flat- amps stacked high in the bath, drums shells spread around the toilet bowl. They gained local notoriety and respect throughout the local underground noise and metal scene for their progressive approach to the gnarled weirdness that has come to describe them. GHOLD are unrelentingly committed to bringing their ethos of dizzying noise and chaos to the masses.
On November 1st 2017 GHOLD released their forth album ‘STOIC’ in collaboration with London record shop ‘Crypt of the Wizard Records’ to high acclaim.
The trio have been consistently whipping up a sonic flurry of uneasy accross Europe, this year and last, and are set to release an exclusive stream only EP March 2019.