Putan Club say they are a test bench, the avant rock band are far more than just that. Album reviews and comventions and the rest are not what Putan Club are really about, they are, thankfully, gloriously, not your average band... An avant-rock band dealing in ethnomusicology research, theatre, film and from what we can work out, a hell of a lot more more. They sound tribal, like a ritual, they sound wired, they sound threatening, gloriously so.... It does sound wonderfully ritualistic, it does sound intense, deliciously so... The Putan Club strike me as something that’s about far more than just being something to listen to, something that’s much more than just another band making more records. ...A work of destruction of sound stereotypes, in all their forms… energy of adorcistic rituals… storm of industrial, techno, ritualistic, ethnic, tribal, and noise, all in a wall of dissonances… The Putan Club stands for feminism, electricity, electronics and savagery…

Blending genres such as punk, noise, rap and doom in a very personal way, BEASTS is Antoine Romeo's (ex-run SOFA) first solo project.
With an incisive debut album, The Shearing, whose release is due at the beginning of 2025 is drenched in subjects such as immigration, generational traumas, class war and social reproduction. BEASTS's music is cathartic, visceral and uncompromised.
To shape this project, the artist from Charleroi, who grew up in a large family of Italian immigrants in the 90's, got together with Ghentian drummer Tijl Van de Casteele (Whorses) and Tournaisian bassist François Hantson (Feel, Mingawash).

Miss Tetanos announces the release of their new album “Messstation” on December 5, on the label Rockerill Records.
Hailing from Charleroi, the duo has always drawn its inspiration from redemptive rust.
Miss Tetanos is releasing a 7-track vinyl record (their fourth). It is an alloy of theremins, synthesizers, and beyond-the-grave vocals, combined with post-industrial beats. The duo embraces mystery, dark and abrasive atmospheres, and the reverberation of steel cathedrals.
Their new opus, “Messstation,” is rooted in black and chaotic electronic music, oscillating between Krautrock, EBM, and Dark Wave.
The cover artwork, born from a collaboration with the German illustrator “Holob,” aka Markus Färber, plunges us directly into the core of their psychedelic imagination.