The sulfurous technoid project of Franco-Italian artist Jean Grünewald has developed a singular style of frenetic, hallucinatory compositions — combining the mechanical structures of techno, electro and EBM with ambient textures, industrial grit and post-punk urgency. With performances that can be intense, approaching madness with bare hands yet always channeling the rage of existence into his most singular means of expression, OTTOMAN GRÜW has expanded from Tresor (Berlin) and Khidi (Tbilisi) to North and South America