

Projet de Michael Wollenhaupt, Ancient Methods a souvent été qualifié de "Pitch black techno war funk", et est souvent associé au mouvement techno industriel. C'est certainement du à l'ésthétique radicale des machines qu'il a développé dans sa signature sonore unique, depuis plus d'une décennie. Cependant cette structure mécanique est ni plus, ni moins, un ambassadeur physique pour un contenu plus profond, une émotion humaine intense enfermée dans une coquille rythmique.
Ses qualités pour croiser les genres ne sont pas devenues évidentes que dans ses productions et lives, mais également dans ses DJ-sets. Michael apporte ses diverses influences comme la wave, EBM, industriel mais aussi des sonorités classiques, liturgiques, psychédéliques et folk dans une structure techno pour les envoyer sur le dancefloor et ainsi délivrer une euphorie intime, voir introvertie.

The sulfurous technoid project of Franco-Italian artist Jean Grünewald has developed a singular style of frenetic, hallucinatory compositions — combining the mechanical structures of techno, electro and EBM with ambient textures, industrial grit and post-punk urgency. With performances that can be intense, approaching madness with bare hands yet always channeling the rage of existence into his most singular means of expression, OTTOMAN GRÜW has expanded from Tresor (Berlin) and Khidi (Tbilisi) to North and South America

Described as « Disruptive music for dark and cold basements », AGE OF HATE is an experimental live, rhythmic noise and industrial techno project based in Paris. It is built on raw improvisations with drum machines, electric violin, metallic percussions, vocals, screams and distortions abuses

Over more than a decade of experimentations and numerous releases, Italian artist FROE CHAR has developed a sophisticated sound immersed in dark and foggy atmospheres, blending synthetic spells, techno rhythms, and haunting vocals resulting in a fusion of dark wave, tribal rhythms, and layers of industrial noise. Under this moniker, Cristina Lauro has toured across Europe and the United States, sharing the stage with the likes of Automelodi, IV Horsemen, Mala Herba, Martial Canterel, Sixth June, The Soft Moon to name a few

2+2=5 is an industrial and experimental producer based in Brussels. The project is shaped by questions around morality, occultism and the observation of the modern condition. Each track functions as a response, balancing body-driven rhythms with a more textured, inward approach to sound design