Vorum is dead! CONCRETE WINDS is deadly!   After the outstanding Minialbum ‚Current Mouth‘, finnish VORUM ceased to exist. But the dead can not die for they are still hungry. Up from the ashes a new phoenix rose: Concrete Winds has released one of the most bestial recordings ever erupting from the far north by the name ‚Primitive Force‘.    25 minutes of pure blasphemy, sadism & dystopia. In spite of the utmost shredding, thundering and screaming, this album still has musical ambitions. Where ‚Current Mouth‘ ended, ‚Primitive Force‘ starts and drives every audial aspect to the maximum. On the other hand this release keeps every layout aspect to a minimum. Concrete Winds reduce everything to a lo fi, cut & paste undergroundish presentation. They set a statement and raise the middlefinger to a distraction shot from what is relevant. The pure magick of a Death Metal sound and gospel.   Some want to see the world burning, CONCRETE WINDS serves them a primitive torch.  

Continuing to extract the deadliest beings from the dankest corners of the Northwest, 20 Buck Spin summons from the festering swamp soaked murk the revolting mutation that is Cerebral Rot. Like sewage winding its way through tunnels below the street, Cerebral Rot’s music reeks with the stench of vulgarity and noxious body fumes.   Embalmed in an analog toxic dump the debut LP ‘Odious Descent Into Decay’ melts the skin with radioactive brutality and gurgling bursts of punishing cruelty. Virulent subterranean Death Metal glistening with pustular fallout and obscure rotten air left too long on the morgue table, the skin peels off and the last gasp of life echoes terrifyingly within.   A rank abomination of disgust ‘Odious Descent Into Decay’ relies not on over technicality but disfiguring physical violence and battering submission in its quest for the true embodiment of sub-underground Death as it morphs from one wet distorted monstrosity to another. Like the miserable mess of decayed forms on the cover, the septic sickness of Cerebral Rot has only just begun to spread.

Galvanizer emerged onto the death metal scene in 2013 as a solo project. From its humble beginnings, the project expanded to include a second member in the following year. Fuelled by their shared musical vision, the duo embarked on an intensive rehearsal period that culminated in the creation of their debut demo, "Ground Above." This initial offering showcased Galvanizer's unrelenting dedication to brutal and grinding death metal, characterized by an abundance of energy, rawness, and a deliberately crude production style. Building on this foundation, the band underwent a significant lineup change in 2015 with the addition of a new drummer, solidifying their roster.
The year 2015 proved to be pivotal for Galvanizer as they unveiled their EP, "Horrid Tales of Death...", which marked a substantial leap forward in terms of songwriting, production quality, and overall delivery. The release of the EP was accompanied by a series of successful live performances in Finland and Denmark throughout 2016.