In our human minds, according to the Law of Contagious Magic as described in The Golden Bough by anthropologist James Frazer, contact between two objects creates an inseparable thread between them. A gift from a dead friend forever holds this magic like a scar reflecting a wound. Similarly, a piece of food that touches the floor is suddenly abject and rotten. Pairing this notion with the Law of Similarity Magic, as described by Frazer, where an object resembling another can share its power, a musical notion can be understood to serve as an unbodied conduit of such magics; an emotional contact between the music and audience wherein such sorcery threads an inseparable seam that, for a time, resemble each other.
Aptly named in reference to the aforementioned book, Stygian Bough, the collaboration between Bell Witch (Dylan Desmond, Jesse Shreibman) and Aerial Ruin (Erik Moggridge) enlivens its unbodied presence resembling both projects as a conduit in its own separate entity.

“Patrick Walker's music stands alone and stands firm at this point, a kind of epic, transportive dirge-rock, methodical, entirely resistant to anything less than a complete kind of engagement. I feel a deep and almost dangerous sense of surrender when I really let this music in, so strong is its emotional pull, so raw and true is the feeling at its center, so ancient-seeming and wisdom-filled is Walker's gift for writing and singing melody.”